partly: (That Girl)
[livejournal.com profile] tvrealm has a prompt where you are supposed to claim 10 words and do something off of them. "Meta" was one of the choices, so I'm going with that. This post's prompt: Like A Boss.

I’ve talked occasionally about how I don’t often identify with the female characters in shows. Lately, however, I’ve come to realize that has been changing. There are a lot of female characters out there that I have come to love. For me to love a female character they just need one thing: agency.

Agency: the capacity of an agent (a person or other entity) to act. “Agency” has become a fairly common term as of late and it’s a concept that is extremely powerful. Notice it doesn’t have anything to do with success or power nor does it have anything to do with the type of acts. Just the ability (or potential ability) to do something. What it basically boils down to is that the character has some choice and control, even if it’s just over their own reactions.

The male characters I like are full of agency -- even when they are on the losing end, when they are caught and captive, they still are strong and active. It doesn’t matter if they are held at gun point or tied to a chair or are being coerced into doing something they don’t want to, they still have agency. Agency is almost a requirement when writing a male protagonist.

It’s something that was not usually given to female protagonists. When women are caught they are usually immediately reduced to helplessness. They are terrified and weak and vulnerable, weepy and pliable -- every misogynistic cliche that’s out there. And if the writers didn’t want to present a female protagonist in that light, it usually meant that the character wasn’t even put into that type of situation. Lack of agency was sort of a given when it came to women. In fact, agency was often seen as not feminine -- if a female character was given agency, that would have to be countered by making sure that she somehow compensated for that deficiency by being properly feminine in other areas. Even then though, it was best not to make them too capable and to make sure they had the proper male counterpart keep them from being too self-sufficient.

Fortunately, that’s changing.

Right now, Kate Beckett is my favorite example of a female character who has great agency. Even when she is at her most vulnerable, she still has the capacity to act. She’s allowed to be scared and overwhelmed and not in control, but she’s never powerless. The choices she makes aren’t always the smartest or healthiest, she has issues and problems that come from some of her actions, but she gets to act. It makes her a strong character, even when she makes mistakes.

She’s even given agency when it comes to her emotions. The lack of agency that female characters are given in general is nothing when compared to the lack of agency that they are given when dealing with emotional issues. Television thrives on the fact that most women lose all agency once they fall in love. It’s not that Beckett isn’t passionate -- she is. It’s that you know she always is choosing how she’s going to act on those passions.

I have to admit that it’s that form of agency that really appeals to me -- it’s the agency that allows a woman to be emotional without being controlled by those emotions.

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November 2012

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