partly: (Myria)
Myr was down in Madison today to see the University's production of "Hair". The story, as she told it (although it's much better when told directly by her and for full effect, imagine it all said in one, long breath):


We were waiting for the play to start, and all the cast was out in the audience, handing out flowers. One gal sat down next to me. "How are you," she asked. "I'm fine. How are you?", I replied -- because this is what I always say when someone asks me how I am. She looks at me and goes, "I'm high." And I reply "Well, that's always fun". I obviously wasn't thinking clearly, because she was one the cast and she was sitting by me, out in the audience. After she left, this guy came and sat next to me, too. He put his arm around me and said, "How you doing, sister?" I don't remember what I said, but he smelled the (fake) flower I had in my hair. Then he went away, another guy came and asked me if the flower was real, when I said no he goes: "Reality is the way, man. Go with the truth." I really wish I would have said "But reality fades," but they were rather scary. For the next 15 minutes, I was terrified they would come out again. During intermission the (actor) cops came out and arrested the person in front of me. I kept thinking they were going to choose me. My chant: Actors belong on the stage. Actors belong on the stage. Actors belong on the stage.

She really liked it, despite the fact that it was "seriously awkward" in parts. She was really glad they didn't do the nude scene because "How awkward would that be? They were sitting right next to you before the start and then, there they are, up on stage, nude. Seriously, not cool." Of course all musicals make her "ridiculously happy" and that she'd like to see it again.

It's a ton of fun to listen to her talk about it all and to watch her demonstrate some of the less subtle moves that the males on stage would make. She goes: "I kept thinking: Really, man? I mean, seriously?", which is inevitably followed by her favorite comment about the show "It was awkward."

In between all of that wonderful commentary, she did have some more analytical comments about the play. She says it's a lot like "Across the Universe". Everyone seemed to have "a lot of issues". She wasn't sure, if at the end, if Claude died in reality or just symbolically - as in he was dead to the group once he did something that didn't follow what they believed.

I totally and completely adore my child.

Just to add to that love: She wants to stop at the library to pick up a copy of "Hamlet". She's reading a novel called "Ophelia" all about, well, Ophelia and she wants to read Hamlet to see if the play is as messed up as this book portrays. I think she's going to love Hamlet, as she has a fondness for crazy.

Date: 2009-04-30 04:15 pm (UTC)From: [identity profile] donnickcottage.livejournal.com
I may be one of the few that thought Mel Gibson did a decent job with Hamlet. As much as I love and admire Lawrence Olivier, his portrayal while accurate was too pondrous for my taste and therefore boring.

Is she a Billy Shake reader? Or would this be her first?

Date: 2009-04-30 07:54 pm (UTC)From: [identity profile] partly.livejournal.com
She read "Romeo and Juliet" in class this year. Despite her feeling that the characters "were too stupid to know how to breathe", she was quite taken by the idea that Juliet was a stronger character than Romeo.

Her teacher told them that they should compare the balcony scene to two teenagers in love and talking on the phone to each other:

Juliet: I love you!
Romeo: I love you more.
Juliet: No, I love you more.
Romeo: No way, I *totally* love you more.
Juliet: Well I love you more than anyone could ever love anyone.
Romeo: But not more than I love you!
--and on and on.

Myria said that after she looked at the two characters like that, the whole play made so much more sense.

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